Moldflow Monday Blog

Junna Aoki Access

Learn about 2023 Features and their Improvements in Moldflow!

Did you know that Moldflow Adviser and Moldflow Synergy/Insight 2023 are available?
 
In 2023, we introduced the concept of a Named User model for all Moldflow products.
 
With Adviser 2023, we have made some improvements to the solve times when using a Level 3 Accuracy. This was achieved by making some modifications to how the part meshes behind the scenes.
 
With Synergy/Insight 2023, we have made improvements with Midplane Injection Compression, 3D Fiber Orientation Predictions, 3D Sink Mark predictions, Cool(BEM) solver, Shrinkage Compensation per Cavity, and introduced 3D Grill Elements.
 
What is your favorite 2023 feature?

You can see a simplified model and a full model.

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Junna Aoki Access

If art is a conversation, Junna’s is a patient, precise interlocutor—one that teaches you how to listen. Her work doesn’t shout; it reconfigures the conditions under which meaning arises, and in doing so, it changes how you look at the quiet things around you.

Junna Aoki moves through rooms like a careful sentence: deliberate, economical, and carrying more meaning than you'd expect from the space she takes. To follow her work is to discover how subtle choices—of color, gesture, timing—compose a world that quietly insists on being noticed. Early cadence: origins and influence Born and raised in a coastal town where the light changes by the hour, Junna learned early how small shifts alter everything. She studied visual arts and contemporary performance, trading large declarations for restrained form. Her teachers remember a student who preferred reduction over spectacle: removing until only the essential remained, then amplifying that essential until it sang. The practice: restraint as language Junna’s output resists easy categorization. On one hand, she makes objects—pared-back sculptures and installations that look fragile until you realize they are precisely balanced. On the other, she stages durational performances where silence and stillness are the primary materials. Rather than filling space, she sculpts absence: a pause between two movements, the exact tilt of a head, a single element illuminated against dusk. junna aoki

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If art is a conversation, Junna’s is a patient, precise interlocutor—one that teaches you how to listen. Her work doesn’t shout; it reconfigures the conditions under which meaning arises, and in doing so, it changes how you look at the quiet things around you.

Junna Aoki moves through rooms like a careful sentence: deliberate, economical, and carrying more meaning than you'd expect from the space she takes. To follow her work is to discover how subtle choices—of color, gesture, timing—compose a world that quietly insists on being noticed. Early cadence: origins and influence Born and raised in a coastal town where the light changes by the hour, Junna learned early how small shifts alter everything. She studied visual arts and contemporary performance, trading large declarations for restrained form. Her teachers remember a student who preferred reduction over spectacle: removing until only the essential remained, then amplifying that essential until it sang. The practice: restraint as language Junna’s output resists easy categorization. On one hand, she makes objects—pared-back sculptures and installations that look fragile until you realize they are precisely balanced. On the other, she stages durational performances where silence and stillness are the primary materials. Rather than filling space, she sculpts absence: a pause between two movements, the exact tilt of a head, a single element illuminated against dusk.